Black and white pictures taken with an analog camera concerning aspects of both human and child labor in India and especially in the metropolis of Calcutta, that without any exaggeration is always defined as ''one circle in Dante's Inferno.'' Human figures, as ghosts, all seemingly identical to one another, bear work to the limits of human survival, in an atmosphere of stifling heat and stagnation, although smiling to the fhotographer, hiding their daily effort marked by an incredible misery. Calcutta has always been a reservoir of human rebellion, riots, or terrorism, but also very important for the cultural movement and the emancipation of the Indian masses, which are beginning to face not only India but also the entire world. The camera sometimes takes the most raw part of the existential condition of man.